Behind the Scenes: Fall 2010 Collection from OneMangoTree on Vimeo.
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Written By: Chichi Aneke—I’m part of the demographic! Why didn’t I think of that until after the fact? It wasn’t until last week that it hit me, and I realized what I may have gotten myself into. Dear God, what will my family think? Okay I have to focus; I can’t just make such an unprofessional diagnosis on the fly. Besides don't they say that we should watch what we say because confession brings possession? How do I begin? I can't go to the family doctor; it will get out, especially when the bill comes. I have to do some research but as discreetly as possible. I made an appointment at a clinic on the other side of town. It’s far enough that no one would recognize me and their rates are pretty inexpensive. Look how paranoid I've become.
Written By: Staff Writer—Choreographer. Dancer. Dreamer. Musician. That’s Eritrean born, New York based Luam Kiflezghi (who simply goes by “Luam”) to a tee in four words. Luam began dancing with African Rhythms Dance Company at the University of Pennsylvania and Ballet Shango in Philadelphia before moving to New York. In New York, she continued her dance training while working in corporate America on creative technology projects with the likes of Fortune, People, and Entertainment Weekly. Her passion for teaching and choreography only grew as she continued to train, which led Luam to teach her own classes at the Djoniba Dance Center and NY Sports Clubs. But it wasn’t until 2002 when Luam pursued her love for dance full time. Read more about this woman of Soul.Substance.Style.
Written By: Staff Writer—Célia Faussart was born in France to a Cameroonian mother and a French father. Her love for music began as a young girl growing up in Chad. At age 15, she began singing professionally with her older sister Hélène in France, later forming the internationally renowned Grammy-nominated singing duo Les Nubians. The band has intrigued audiences for more than a decade with their inventive and glamorous “Afropean” style. Read more about this woman of Soul.Substance.Style.


Written By: Nicole Parker-Jones—I have been labeled as not being “black enough”—not white, just not “black enough”—more times than I would like to remember. It is insulting, irritating, and offensive to the core. Paradoxically, it is not other black people who have alleged that I am not black enough, rather, it is non-blacks who find that my brand of black—well educated, well spoken, well mannered, well raised—does not comport with their stereotypical notions of what it means to be “black.” Either I was being mocked at a party for not knowing how to dance well like "other black people" or I was being paid a backhanded compliment for blending into corporate America unlike "other black people" or my contributions in the classroom were being discounted because I couldn't really represent diversity when my opinions were not like those of “other black people.” Whether cloaked as mockery, a compliment, or simply an off-handed observation, there is no denying it is racist, and it is palpable. 

Written By: Kemi Ebun—When I first moved to the United States, I was part of a small community of children of Nigerian-American immigrants living in an urban jungle (read: ghetto) who, like me, were proudly Nigerian (only when it was considered cool to be from the “motherland”) but sought to assimilate into what we understood to be American culture; from our vantage point—a poor rough and tumble neighborhood—youth culture was defined by urban pop culture: hip-hop. Biggie Smalls and 2Pac reigned as kings and Lauryn Hill was our supreme queen. My traditional Nigerian mother wanted no part of hip-hop, but that did not stop me from being first to buy my bootleg CDs with the pocket change I could spare.
Written By: Nana Bonsu—In an effort to appeal to African moviegoers, and distinguish their films in a crowded market flooded by Nigeria’s giant film industry, Nollywood (some reports claim Nollywood releases as many as forty films per week), Ghanaian moviemakers are pushing the boundaries when it comes to film by including steamy sex scenes in their movies. Last year, debate ensued when Raj Films and Heroes Productions’ trailer for Heart of Men, featured, among other things, a shot of actor Majid Michel’s grinding buttocks during a sex scene. Yet, ultimately, the film snagged five African Movie Academy Award nominations. This year, Ghanaian production company Venus Films sparked controversy when it released the trailer for 4Play, which among other things, alluded to a love triangle involving a married couple and the bisexual husband’s male lover. Although public outcry led to some of the sex scenes being edited out of the final movie, when 4Play leaked on YouTube, the combination of soft-porn sex scenes and dialogue laced with f-bombs and n-words to rival a rap song, led viewers to criticize Ghana’s film industry as producing nothing more than just that—profane soft-porn. Drawing comparisons to Nollywood films, commentators on 4Play’s YouTube page remarked, “Sex is being overrated in Ghana movies. We Nigerians don't do such!” and “No disrespect … but seriously … African movies [are] suppose[d] to be respectful [and] real.”
Written By: Nani Hapa—There is no denying the global pervasiveness and stickiness of western pop culture. Beyoncé means “music phenom” in English, Swahili, Yoruba, and Zulu, but Miriam Makeba does not translate to the same across cultures, even though there is no serious question that Makeba has defined that space in Africa. Although African countries have local celebrities—Omotola Jalade Ekeinde (Nigeria), Lira (South Africa), Jackie Appiah (Ghana), Angelique Kidjo (Benin) to name a few—as a general matter, Africans have imported and correspondingly celebrated western pop culture en masse without critical regard to who or what we are celebrating. As a result, western celebrities have been elevated in
Written By: Nani Hapa—AiRis’ highly-anticipated debut full-length album The AiRis Project is set to be released later this year, and to mark the release of the album, I went on a research project to uncover 8 facts about music’s newest sensation; for example, did you know AiRis has a Bachelor of Science degree in Industrial Engineering? Discover more fun facts about the woman who is credited for bringing a unique soul-meets-pop sound to Africa’s music scene in The AiRis Project.